Great adventure over
For some three years, the boy-king reigned at Akhet-Aton and
Memphis, with Aton and Amun uneasily sharing the headship of the gods. Finally,
in ancient Memphis, the young king issued a decree for the full restoration of
the temples and cults of all the gods of Egypt from Amun downwards; Aton goes
unmentioned, and the sun-god is once more Re or Harakhte. The greatadventure
was over.
Now knownas Tutankhamun, the young king died prematurely as
a mere youth; the throne then passed briefly to Ay, a close associate of the
royal family, and then to Ay’s Deputy of the Realm, the general Haremhab whose
queen Mutnodjmet may have been the last heiress of the old royal line. He took
in hand the internal renewal of Egypt, and it was left to a new dynasty of
kings — the Ramessides to attempt recovery of Egypt’s role abroad. They at last
brought the wheel full circle, destroying the monuments of the Aton-kings,
eliminating them from official records, and grudgingly referring to Akhenaton
only as ‘yon criminal of Akhet-Aton’. Thereafter, the Horizon of the Disc
remained almost undisturbed until, as El Amarna, its ruins, art and archives
came back into human knowledge hardly a century or so ago.
What, then, did the Amarna episode achieve? Politically, it
was a setback for Egypt at home and abroad. In art, its adventurous
developments led to the panoramic depiction of events like the Battle of
Qadesh. In language, there followed a flow of short stories and lyric poetry
composed in the colloquial idiom. Culturally, older values had been challenged,
but not worthily replaced. In religion, Atonism merely gave an outwardly
extreme form to concepts long known and which long continued in Egypt; only the
short persecution was untypical. The cult had neither a foreign origin nor any
farreaching effects. In a wider context, the age of Akhenaton is one of the
most complex and difficult to evaluate in all of antiquity, not least for the
interaction of a powerful individual with his society; but its fascination
still grips the modern imagination.
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